Bibliography

A

C

Colin T. Cameron, “In Defiance of Bridgeman: Claiming Copyright in Photographic Reproductions,” 15 Texas Intellectual Property Law Journal 31-60 (2006)

Collections Trust, “Striking the Balance: How NMDC members are balancing public access and commercial reuse of digital content,” (National Museums Directors’ Council, 2015)

Copyright Cortex, https://copyrightcortex.org

Kenneth D. Crews, “Museum Policies and Art Images: Conflicting Objectives and Copyright Overreaching,” 22 Fordham Intellectual Property, Media, and Entertainment Law Journal 795-832 (2012)

Kenneth D. Crews and Melissa A. Brown, “Control of Museum Art Images: The Reach and Limits of Copyright and Licensing,” in Annette Kur and Vytautas Mizaras (eds.), The Structure of Intellectual Property Law: Can One Size Fit All? (Edward Elgar, 2010) 269-284

D

Melanie Dulong de Rosnay and Juan Carlos De Martin (eds.), The Digital Public Domain: Foundations for an Open Culture (Open Book Publishers, 2012)

E

European Commission, “Cultural Heritage: Digitisation, Online Accessibility and Digital Preservation,” Consolidated Report on the Implementation of Commission Recommendation 2011/711/EU 2015-2017 (European Commission, 2018)

F

Sandra Fauconnier, “OpenGLAM principles: ways forward to open access for cultural heritage,” Medium (19 April 2019)

G

Haidy Geismar, Museum Object Lessons for the Digital Age (University College London, 2018)

Bendor Grosvenor, “Diary of an art historian: at last, some common sense for the abolition of image fees,” The Art Newspaper (27 July 2018)

Bendor Grosvenor, “Museum image fees – a call to arms,” Art History News (26 September 2017)

Bendor Grosvenor, “The reproduction fee hustle,” The Art Newspaper (20 November 2017)

H

Kenneth Hamma, “Public Domain Art in an Age of Easier Mechanical Reproducibility,” 11(11) D-Lib Magazine (2005)

Paul J. Heald, “How Copyright Keeps Works Disappeared,” 44 Journal of Empirical Legal Studies 829-866 (2014)

I

Intellectual Property Office, “Copyright Notice: digital images, photographs and the internet,” (November 2015)

J
K

Effie Kapsalis, “The Impact of Open Access on Galleries, Libraries, Museums & Archives,” (Smithsonian Institutes, 2016)

Sonia Katyal, “Technoheritage,” 105 California Law Review 1111-1172 (2017)

Paul Keller, “Implementing the Copyright Directive: Protecting the Public Domain with Article 14,” Communia (25 June 2019)

Kristin Kelly, “Images of Works of Art in Museum Collections: The Experience of Open Access,” (Andrew W. Mellon Foundation, 2013)

L
M

Ivan Macquisten, “UK museums’ right to charge image fees is called into question,” The Art Newspaper (28 November 2017)

Thomas Margoni, “The Digitisation of Cultural Heritage: Originality, Derivative Works and (Non) Original Photographs,” (IViR, 2014)

Douglas McCarthy, “Open up! Open access at Birmingham Museums Trust,” Europeana (16 August 2018)

Douglas McCarthy, “Uncovering the global picture of Open GLAM,” Medium (4 April 2019)

Douglas McCarthy and Andrea Wallace, “Survey of GLAM Open Access Policy and Practice,” http://bit.ly/OpenGLAMsurvey (2018)

N
O
P

Joris Pekel, “Democratising the Rijksmuseum,” (Europeana Foundation, 2014)

Joris Pekel, “Making Impact on a Small Budget: How the LSH Museet Shared their Collection with the World,” (Europeana Foundation, 2015)

Guy Pessach, “[Networked] Memory Institutions: Social Remembering, Privatization and its Discontents,” 26 Cardozo Arts & Entertainment Law Journal 71-129 (2008)

Guy Pessach, “Museums, Digitization and Copyright Law – Taking Stock and Looking Ahead,” 1 The Journal of International Media and Entertainment Law 253-283 (2007)

Grischka Petri, “The Public Domain vs. The Museum: The Limits of Copyright and Reproductions of Two-Dimensional Works of Art,” 12(1) Journal of Conservation and Museum Studies 1-12

Sarah Powell, Adam Moriarty, Michaela O’Donovan, and Dave Sanderson, “The ‘Open by Default’ Journey of Auckland Museum’s Collections Online,” SocietyByte (2017)

Q
R

Kathryn Rudy, “The true costs of research and publishing,” (August 2019).

S

Merete Sanderhoff, “Open Images. Risk or opportunity for art collections in the digital age?,” 2 Nordisk Museologi 131-146 (2013)

Antje Schmidt, “MKG Collection Online: The Potential of Open Museum Collections,” 7 KJK 25-39 (2017)

Laurajane Smith, Uses of Heritage (Routledge, 2006)

T

Simon Tanner, “Reproduction Charging Models and Rights Policy for Digital Images in American Art Museums,” (Andrew W. Mellon Foundation, 2004)

U

UK House of Lords, “Museums and Galleries: Copyright: Written question – HL2907,” (6 November 2017)

UK House of Lords Debate, “Museums and Galleries – Question for short debate,” (12 Setpember 2018), Video and Transcript

V

Foteini Valeonti, Melissa Terras and Andrew Hudson-Smith, “How Open is OpenGLAM? Identifying Barriers to Commercial and Non-Commercial Reuse of Digitised Art Images,” (2019)

Harry Verwayen, Martijn Abrikdys and Peter Kaufman, “The Problem with the Yellow Milkmaid: A Business Model Perspective on Open Metadata,” (Europeana, 2011)

Elena Villaespesa and Trilce Navarrete, “Museum Collections on Wikipedia: Opening Up to Open Data Initiatives,” (Museum and the Web, 2019)

W

Andrea Wallace and Ronan Deazley, Display At Your Own Risk (2016)

Andrea Wallace and Ronan Deazley (eds.), Display At Your Own Risk: An experimental exhibition of digital cultural heritage(CREATe, 2016)

Andrea Wallace and Simon Tanner, “Open Access to Art Images,” ‘Open and Engaged’ at the British Library (October 2019)

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